Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process

Preliminary records of W.Wallabi Island

One of my activities apart from photographic documentation of different landforms was to make a couple of small frottage prints at a specific site. This quick procedure entailed placing rice paper over a specific piece of rock formation and rubbing over the surface with compressed charcoal, graphite or pastel as a way to produce a ‘ print ‘ with place-name, date and time. Because my type of contemporary landscape painting and mixed media is not painted on site but produced in my studio these ‘prints ‘ are like a touchstone that can connect me back to the original place when I insert them into a composition. For example I did two frottages or ‘prints ‘ of rocks at the Pinnacles and at W.Wallabi island.

Pinnacle frottage 1                                                 Pinnacle frottage 2

Pinnacle frottage 1 and 2, one in compressed charcoal and two with a graphite stick.

W.Wallabi frottage 1W.Wallabi frottage 2

W.Wallabi island frottage 1 and 2 both pencil rubbings

on rice paper because it is flexible and durable.

Previous examples of this technique and their application can be viewed on my website at desterreart.com.au in the Gallery under a section titled An Archaeology of Landscape. The two images below are examples of mixed media artworks from the series titled An Archaeology of Landscape produced several years ago as the result of an artist’s  tour where we worked in Katherine Gorge and at falls in Litchfield National Park.

Fold, 2003

Fold, 2003, 150×78 cm, mixed media from the series titled An Archaeology of Landscape.

Layer, 2003

Layer, 2003, 165×85 cm, mixed media from the series titled An Archaeology of Landscape

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

Comments are closed.