Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process

Painting stages for “Under the Image” (incomplete)

Background

This image developed from a torn up etching and a gessoed board, the surface for a painting demonstration six months ago. (We experimented with oil paint and how with triple and double loaded palette knives and brushes it could be manipulated to form the textures that characterise much of the Australian landscape).

The image is about how I feel as I find a way to represent the landscape and artist.  I like to imagine the earth as seen from beneath as though from some sort of underground position.  I create imagined textures that allude to the geology of the site and how this sometimes reflects the above ground terrain because I want the artist to be marked by the earth and landscape.

The painting process is incomplete because I prefer the image titled “Middle stage” where the forms and movement are more dynamic. The last image has become static so when it dries

the next few paint layers will hopefully be an improvement with more tension so that it looks as though I am ’embracing’ the landscape while at the same time I see the world upside down as the landscape imprints in my mind.

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Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

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