Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process

Etching and silver leaf continued

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First Stages 

In these small contemporary landscapes based on Lake Mungo I am still experimenting with silver leaf and chine colle layering.

Second Stage

Gold leaf in the first image required toning down with layer of semi transparent white. Silver leaf in the other two almost invisible.

In the second version of the second image I wet the chine colle and scrunched it into a folded shape reminiscent of folds in the landscape. The second version of the third image looked better in vertical format also with changed chine colle.

I aimed to capture particular elements of this eroded and parched long lunette shaped dune weathered by rain and wind then shaped into small pyramid shaped hills.

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

5 thoughts on “Etching and silver leaf continued

  1. These are such beautiful images Elaine, totally evocative of the landscape, with a sense of ancientness and mystery.