Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process

“Mungo Strata Exposed”: a painting commission

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This commission began several months ago after an exploration of Mungo in printmaking ie etching etc media. Now returning to this topic, a combination of collage and oil, I feel a freedom painting on a larger surface. The surface consists of canvas on board which lends itself to application of any material with a staple gun.

The first image consists of printmaking paper onto which frottage images, taken from surfaces of Lake Mungo’s terrain adhere. In the background are oil washes that loosely resemble dunes behind the clay pan. The frottage was done with graphite in the left section and in the central area I combined it with part of the clay pan and clay/sand mixture. The paper in the right hand area had been moulded to the surface of the land leaving sunken shaped into which ink settled as well as grated pastel.

The piece of frottage dated 2001, lay in my plan draws until not long ago as I have found it difficult to get my head around how to express the feeling of total exposure and blinding light when first arriving. And while I studied it geology and history and took my usual approach of collecting data, I still couldn’t find a way into it.

I think I was side-tracked with a sense of romanticism due to spectacular sunsets and sunrises so stunning in a desert and which are popular subjects esp. for photographers. Anyway, the second stage as I felt my way into a composition began with tearing away excess paper, making cut-out areas into which I poured paint.

IMG_3709Close up of  2 sections

Also I blocked out with masking tape pieces of frottage that didn’t need paint yet or at all.

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

5 thoughts on ““Mungo Strata Exposed”: a painting commission

  1. gorgeous. love the subtleness of this!!

  2. Really beautiful, Elaine! I really like your working methods.