The painting below happened quickly, almost too quickly because I didn’t record its early stages. They began as a torn up ghost print from my failed attempts at viscosity printing. However I retained this piece of pink and blue texture on BFK Rives.
The first layer consisted of the torn shred placed in the bottom left of the composition. Months later I had left over greenish turps and in an absent minded moment I poured it onto the canvas surrounding the BFK Rives ghost viscosity texture. Later I purposely applied a few dark areas and lines, an orange strip and I enlarged the pink texture into a dune shape which I felt alluded to Mungo-ish colour of this arid region.
I recalled that Lake Mungo originally until 24,000 years ago had been a thriving water-filled habitat that supported Indigenous civilisation. So I mixed together several types and consistencies of blue and let the paint flow randomly across the canvas.
White lines indicate direction of water flow and time line. I partly obscured the blue shape with misty blues, re-established the blue but in an atmospheric haze of ‘distant time’. I dribbled a white wash over the white line and dripped blue washy blobs into it. The idea was to represent a transition through time from the blue water of abundant life to pinks and orange representing gradual desertification.