Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process

Lake Mungo Landscape (work in progress)

At a half way stage through another Mungo scape difficulties often arise. Before this stage I often feel that I have the composition under control with the first few layers of thin lean paint consistency shapes texture, line, colour and forms coalesce into a flash memory of the particular place. Random shapes that settle after poured, spattered and bleeding paint often suggest other avenues. At this juncture another mental image appears and interrupts the original flash memory. By letting the composition evolve and not trying to control it by wanting to recapture a former memory, some other aspect often reveals itself. I have to wait, then pounce and hope that I will like it.

 

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

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