Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process

Old and New Images

At Muddy’s She Shed during the weekend Surf Coast Arts Trail event, the studio, temporarily transformed into a gallery, had a steady stream of viewers on both days. Interested participants created gelatine prints using Anglesea flora. Several items that included Maggi Jean’s ceramics, small sculptures – (a small elephant herd) and artists’ books – ( Anglesea flora and seaweeds) found good homes as well as Evie Wood’s poetry books, cards, watercolours and an acrylic still life titled Pink Lady Interior, 2016.

 

Point Addis Daisy, 2016 by Magaret Jean.

Point Addis Daisy, 2016 by Margaret Jean.

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Pink Lady Interior, 2016, acrylic, 40×40 cm by Evie Wood.

Several of my digital prints were also purchased. The oldest had been part of my PhD exegesis, titled Natalie (Demeter/Persephone) and the most recent was a reproduction of a viscosity printed collagraph that started as an experiment with the viscosity printing technique but also required additional chine-colle as a way to give the composition some space and atmosphere.

Natalie ( Demeter / Peresophone), 2016, ( original 1995, intaglio, ink and wash, 98 X 66 cm.)

Snowfields 2, 2016, viscosity print and hand made paper, 50x35cm

Snowfields 2, 2016, viscosity print and hand made paper, 50x35cm

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

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