Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process


Lake Mungo Terrain

 

I continue to explore different aspects of conditions at Lake Mungo. In a sense I feel as though I am ‘Painting’ with paper  http://au.pinterest.com/elainedesterre/collage-painting-with-paper/.

After the paper sales in November, inspiration, tactility and textures of different types of papers over took my oil paintings almost complete, but the urge for paper took over.

On top of a pastel paper background sits a torn piece of collagraph over laid with bark paper and other handmade papers.

I like to combine elements in compositions that allude to a sense of the macro, erosion over millennia with the micro, a sense of present time situated in this place of archaeological significance.

 

Lake Mungo Drying Across Millennia, 2016, mixed media on BFK Rives, 40x60 cm

Lake Mungo Drying Across Millennia, 2016

Touching the Lake Bed At Mungo, 2016, mixed media, 60x40 cm

Touching the Lake Bed At Mungo, 2016

Timeline in Brachina Gorge 2, 2016


New Home Page Exhibition – Absorbing the Landscape

My new Home Page images are part of an ongoing fascination for a gorge in the Flinders Ranges in South Australia and the 500 million year old Ediacaran fossils found there. In previous posts I described some of the geology and fossils found around Brachina Gorge and the Golden Spike for instance.Brachina Gorge, Flinders Ranges, South Australia and Etching Collage about Brachina Gorge and Art about Heads in the Landscape (Brachina Gorge)

I have extended the theme into the idea of mentally absorbing the landscape.  I look at Nature’s shapes/landforms/geomorphology from which I create preparatory drawings that lead into a type of deconstruction and  then a re visualisation of geological forms as I try to depict a visual simulation of Nature’s narrative, timeline and transformation and my thought process involved in learning about Nature and mind in flux.

 

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