Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process

Lake Mungo Terrain

 

I continue to explore different aspects of conditions at Lake Mungo. In a sense I feel as though I am ‘Painting’ with paper  http://au.pinterest.com/elainedesterre/collage-painting-with-paper/.

After the paper sales in November, inspiration, tactility and textures of different types of papers over took my oil paintings almost complete, but the urge for paper took over.

On top of a pastel paper background sits a torn piece of collagraph over laid with bark paper and other handmade papers.

I like to combine elements in compositions that allude to a sense of the macro, erosion over millennia with the micro, a sense of present time situated in this place of archaeological significance.

 

Lake Mungo Drying Across Millennia, 2016, mixed media on BFK Rives, 40x60 cm

Lake Mungo Drying Across Millennia, 2016

Touching the Lake Bed At Mungo, 2016, mixed media, 60x40 cm

Touching the Lake Bed At Mungo, 2016

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

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