Art, Identity & Place

How wild places, deep time and archaeology inform my contemporary art process

Mungo Landscape – another stage

Top section of the composition was top heavy and needed some reduction and veiling. I mixed a grey with added red green and ultramarine in very small quantities making an earth -grey that I overpainted sides and top third of the composition obscuring shapes beneath.

Later when paint dries thoroughly I plan to swipe paint on a rag across raised areas exposing faintly raised parts of shapes beneath.

At this stage too the circular shape seemed to fight for attention so I painted it over with the grey shape that leaves exposed the main part of the painting and then with a soft rag whipped back some paint leaving part of the circle showing through faintly. Also left exposed is a triangle shape reminiscent of a Mungo dune beneath which is my handwriting left uncovered through masking out noting time and place of making this frottage remnant. A few more layers needed yet. Do I see a strange creature emerging?

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

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