Elaine d'Esterre

Feminist Visual Artist – Paintings, Mixed Media and Etchings

Commission – Homage to Joan Miro (second stage)

Once the under painting dried I selected a mixture of burnt sienna and a touch of Pilbara red to glaze in by rubbing the landscape area in the composition.

Text (“Fairh”) short for Fairhaven, in lower right required some refinement.

Then I lightly sanded the upper area before I rubbed in a very thin Pilbara red and scumbled in a light pink.

When the lower area dried I thought it looked a bit dull so I scumbled a pink in parts.

When this thoroughly dries I can glaze burnt sienna over it that should produce an orange brown. At this stage objects diminish as the colour takes over. Also felt that the composition required more balance on left side so I’m thinking of placing Miro’s octopus-like image floating in the sky of ‘Catalan Landscape’ in this spot. Once background colours dry all the interesting over painted detail can be emphasised in a graphic way. Still a way to go yet. Just trying to approximate the bruised but orange background and a quite acid but glowing yellow of the sky takes time because of successive layering but worth the effort.

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

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