Elaine d'Esterre

Feminist Visual Artist – Paintings, Mixed Media and Etchings

Three Studies about Memory

Return to Drawing

After several years of printmaking then painting I changed course unexpectedly and picked up dry media and applied it to printmaking paper.

My half-done large paintings and then a series of small head in landscape images demanded a more thorough exploration about how I could develop and create iconography where my ‘landscapes’ /memoryscapes showed more succinctly a connection between mind, geology, geography and biology. How we inscribe ourselves on to landscape and landmarks and how in turn they change how we see ourselves. I sometimes feel as though searching for special places for example fossils in the Flinders Ranges, I am ‘shaped’ by aspects of the land and passage of time.

Anyway these three studies began unexpectedly as I pondered the feeling and memory of homesickness and the longing for colour, form and texture in particular places. When I lived in Western Queensland driving for kilometres through brigalow forest and experienced the flat endlessly stretching landscape and blue dome overhead I longed of orange, purple and grey tones of cliffs on the Great Ocean Road. So in Studies 1,2 and 3 for a Coastal Memory I have exaggerated the intensity of orange and made gestural marks that simplify form as a way to express a sense of loss.

I drew with compressed charcoal pencil as well as pen and ink and pastels over photographs of incomplete large oils that I had digitally printed onto printmaking paper.

This method provides me with a starting point where I turn the old incomplete images upside down or sideways into which elicits old memories. Then I build up another image that vaguely alludes to a place by drawing with pen and pastel more facets and traces of its erosion on one hand and monumentality on the other.

Author: elainedesterre

I have been producing oil paintings, mixed media, prints (etching), digital prints and drawings for many years travelling to the Australian outback and overseas for inspiration and further education. My formal education consists of a PhD in painting and a BA in printmaking and my artwork is represented in public and private collections. My purpose and ongoing challenge is to create a gender-balanced and environment-focused iconography within the Western canon of European oil painting. These themes find expression within imagery about time, memory and identity as well as in geomorphology of evolutionary and environmental significance.

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