Elaine d'Esterre

Feminist Visual Artist – Paintings, Mixed Media and Etchings


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Elemental Landforms at Lake Mungo

A larger mixed media about Lake Mungo consists of frottage taken from different surface areas. I folded a large sheet printmaking paper into three sections aiming to capture samples of the various types of terrain. Graphite was used to take a rubbing from a stone (alluding to the Gol Gol formation on top of which the lunette built) seen in the top right of the composition. The middle section consists of traces of clay and sand (alluding to how the lunette built up into dunes) and the top left section now almost obscured retained a stain as this section of the paper buried into darkened places of the dune, where moisture caused possibly by decaying remnant vegetation,  left an imprint.

Once again, I turned the composition up side down where it appeared to read better for me.

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Artwork on Paper at Shopify

I’m trying a new approach to selling artwork. I still have exhibitions at galleries, certainly with large oil paintings, but moving with the times why not try an approach augmenting the gallery exhibition? The main point about websites and blogs is that viewers get a detailed description about how a particular work came about, they can pursue an image and ponder its pros and cons in their own space without being rushed or pressurised and can contact the artist with any pertinent questions.

Works on paper are a convenient medium owing to size and weight which can be shipped, cost effectively, to any destination quite easily.

The works chosen are from a series of etching, chine-colle and collage titled And then the Ocean Rusted, 2014. The title refers to when, 2-3 billion years ago, the World’s  iron laden oceans began rusting, laying down sediment, as oxygen from cyanobacteria entered the atmosphere causing the rusting process. I visited this location, taking rubbings/frottage from these metamorphosed sedimentary deposits from different gorges in Karijini National Park in West Australia which I combined with intaglio, an aspect of etching technique and printed in my studio. The whole series can be viewed at http://pinterest.com/elainedesterre/etching-and-chine-colle-titled-and-then-the-ocean/ 

 

The largest dimensions of the handmade prints can be viewed at

https://elainedesterreart.com/artwork-on-paper-at-shopify

The Sun Descends, 2014


Artwork about Images of Change at Point Roadknight

From 2012 to 2014 

In this expanding series I always seem to return to this particular landform (apart from the others in far reaches of the continent mentioned in previous blogs). Sometimes this rocky protrusion, jutting into the ocean making a sheltered bay on its northern side, is referred to as “the petrified forest”.

I have tried to illustrate how an early morning photograph taken in 2011 titled  Erosion informed the gouache titled An Abrupt Transition, 2012 and then later quite unexpectedly last year I found layers of handmade paper made years ago at a university weekend workshop. Their textures suggested the appearance of rock. Also found were several frottaged pieces of rice paper taken from the surfaces of these rocks as preliminaries to a commissioned seascape.

The breach at Point Roadknight

The need to return at intervals gets a bit desperate as I hope that the erosion will slow. My quiet desperation comes about as I witness and find myself inadvertently recording gradual and not so gradual destruction of this beloved landform.

There is a transition in the work from the 6 shiny photographs to 5 gouache matte simulated textured images to 3 handmade textures reminiscent of rock and a collage with a piece of failed viscosity etching titled The Sun Descends.

From

I like to observe the way transitioning through different media, using the same or similar subject, often leads into another awareness and reinterpretation about the interaction between structures and conditions. While not a plein aire painter I alway sketch and then carefully draw a subject as a way to sharpen my memory.

It is from memory and contemplation that my imagery arises, placed in an abstracted format with reference to the material object. The texture of the objects can be simulated in paint or another type of simulation that is, either rock-like handmade paper or frottage taken from the rocks in question.

Feelings are not all gloom and doom as my romantic side loves the colour of sunrise, glow of sunrise on rock faces, rock faces reminiscent of ancient ruins and then about 20 minutes after sunrise when the winter sun is in the best position and intensity I photograph their reflections in rock pools and wet sand.

My first attempt at capturing this aspect of the place is not quite as I would like it – a bit pale and wan.

Sand Reflection, 2014

Sand Reflection, 2014

The start a another direction perhaps?

Also at Pinterest