Elaine d'Esterre

Feminist Visual Artist – Paintings, Mixed Media and Etchings


Oil Painting Commission

EARLY STAGES

This commission is centered on a land-form called Point Roadknight situated on the Surf Coast along the Great Ocean Road. Part of my process includes taking photographs and frottage. The photographs show the context, the environment in which the specific rocks that structure this feature of the landscape. The particular rocks are columnar in shape and resemble revealed ancient ruins  as softer material around then eroded. The columnar shaped rocks are hard but also brittle mineralised calcification caused by rain leaching through top layers of the land-form. The painting is about erosion of the rock face and its reflection in pools and on wet sand. I would like the final image to show a partly dissolved structure surrounded by a watery environment. I approach this topic with nostalgia because the rate of erosion seems quite fast as each winter less of the Point remains especially these ” columns”  and their configuration. But first the  visual and tactile exploration.

Point Roadknight reflections photograph taken early morning.

Point Roadknight reflections photograph taken early morning.

Point Roadknight columns erosion.

Point Roadknight columns erosion.

Sand and Reflection photograph with sunrise reflecting on rocks in turn reflected in wet sand.

Sand and Reflection photograph with sunrise reflecting on rocks in turn reflected in wet sand.

These are only three of the many studies that  help me appreciate the action of water and the resulting erosion. I then take frottage from rocks in this area.

Frottage 1 on rice paper taken from rock surface reminiscent of an entablature.

Frottage 1 on rice paper taken from rock surface reminiscent of an entablature.

Frottage taken from transverse section of a broken column at Point Roadknight.

Frottage taken from transverse section of a broken column at Point Roadknight.

Frottage taken from the internal wall of a broken column at Point Roadknight.

Frottage taken from the internal wall of a broken column at Point Roadknight.

I moulded  rice paper to particular rock  textures over which I rubbed graphite to produce a type of print or rubbing called a frottage.

The next stage involved placing the rice paper frottage onto the canvas with gesso where I combined them with a rough ink drawing. Then I poured ink and gesso onto the surface as a way to suggest part of the rock structure. A blue over painting wash consisted of oil painted diluted with gum turpentine.

Underpainting 1consisted of the frottages, ink and gesso.

Underpainting consisted of the frottage, ink and gesso.

Underpainting detail

Underpainting detail

The second ink and gesso layer over painted with the  third layer of gum turpentine oil paint wash.

The second ink and gesso layer over painted with the third layer of gum turpentine oil paint wash.


Frottage from gorges

I took several rubbings from different sections of particular gorges. This is my was to reconnect to a place when I paint it later in my studio. Often I adhere frottage or stained paper to the canvas surface by placing it in a gesso solution as part of the under-painting. Because the materials are rice paper and graphite or charcoal there is a flexibility that enables me to alter dimensions by folding or tearing the paper to fit the theme and the composition.

Daled Gorge pathway frottage, 19/04/13, 3.00 pm., graphite and pastel on rice paper.

Dales Gorge pathway frottage, 19/04/13, 3.00 pm., graphite and pastel on rice paper.

Dales Gorge frottage, 20/04/13, 12.00 am, graphite on rice paper

Dales Gorge frottage, 20/04/13, 12.00 am, graphite on rice paper

Weano gorge frottage, 21/04/13, 10.50 am, one of the Karijini National Park gorges, graphite on rice paper.

Weano gorge frottage, 21/04/13, 10.50 am, one of the Karijini National Park gorges, graphite on rice paper.

Weano Gorge frottage, 21/04/13, 10.45 am, taken on gorge rim at the lookout, graphite on rice paper.

Weano Gorge frottage, 21/04/13, 10.45 am, taken on gorge rim at the lookout, graphite on rice paper.

The image below is a mixed media titled Stress Fold, 2004 that is one of a series of images which I titled An Archaeology of Landscape. This previous series consisted of oil, mixed media, gouache and pastel stain and was produced as a result of exploring different sites in the Kakadu and Nitmiluk National Parks in the Northern Territory. Viewers may peruse this series  at : desterreart.com.au   Stress Fold is an example of how pieces of frottage  meld into a larger composition.

Stress Fold, 2004, paper, pastel, thread, staples and canvas gessoed on to board.

Stress Fold, 2004, paper, pastel, thread, staples and canvas gessoed on to board 200×90 cm, from the series titled An Archaeology of Landscape.


Preliminary records of W.Wallabi Island

One of my activities apart from photographic documentation of different landforms was to make a couple of small frottage prints at a specific site. This quick procedure entailed placing rice paper over a specific piece of rock formation and rubbing over the surface with compressed charcoal, graphite or pastel as a way to produce a ‘ print ‘ with place-name, date and time. Because my type of contemporary landscape painting and mixed media is not painted on site but produced in my studio these ‘prints ‘ are like a touchstone that can connect me back to the original place when I insert them into a composition. For example I did two frottages or ‘prints ‘ of rocks at the Pinnacles and at W.Wallabi island.

Pinnacle frottage 1                                                 Pinnacle frottage 2

Pinnacle frottage 1 and 2, one in compressed charcoal and two with a graphite stick.

W.Wallabi frottage 1W.Wallabi frottage 2

W.Wallabi island frottage 1 and 2 both pencil rubbings

on rice paper because it is flexible and durable.

Previous examples of this technique and their application can be viewed on my website at desterreart.com.au in the Gallery under a section titled An Archaeology of Landscape. The two images below are examples of mixed media artworks from the series titled An Archaeology of Landscape produced several years ago as the result of an artist’s  tour where we worked in Katherine Gorge and at falls in Litchfield National Park.

Fold, 2003

Fold, 2003, 150×78 cm, mixed media from the series titled An Archaeology of Landscape.

Layer, 2003

Layer, 2003, 165×85 cm, mixed media from the series titled An Archaeology of Landscape