Elaine d'Esterre

Feminist Visual Artist – Paintings, Mixed Media and Etchings


Sketch and Underpainting stage for Untitled Commission

Preliminary studies of Point Roadknight

This commissioned painting in its very early stages started out as a seascape depiction of erosion at Point Roadknight but something in me had become dissatisfied and I felt like a change of subject matter. I turned the canvas on its side into vertical position and imagined how I could retain aspects of the original subject and combine it with an emergent figurative shape that seemed to float as a ghostly indistinct form. The idea figures merging into and out of landforms such as those in Begin with Sand, Silt and Water seems suitable now only instead of those done with the Golden Spike in the Flinders Ranges I would depict aspects of Point Roadknight.

These sketches are the preliminary studies done several months ago before I began this commission where I have been given free rein.

Art titled Contemplating the Golden Spike 1, 2013, 55x75 cm, gouache, charcoal and pastel from Begin with Sand, Silt and Water


Artwork, preparatory sketches and photographs

These sketches and photographs were preliminaries for the body of work titled Begin with Sand, Silt and Water, 2012 – 2013,  and were a part of my process before and during painting, a part of memorising and reconnecting with original feelings on site.

There is a slideshow on my Home Page where you can see how the paintings turned out.


Revisit old sketchbook, artwork from Kakadu and Nitmiluk

I revisited my Kakadu influenced artwork when a recent TV programme investigated park ranger’s work at Kakadu and Nitmiluk National Parks during the wet season that made possible safe passage for dry season visitors.

My previous series of works involved archaeological sites and Museums in Crete so the word “archaeology ” was fresh in my mind and also suggested by a fellow painter as part of the series title which is An Archaeology of Landscape. The reason was that I metaphorically connected the forces of nature and those of the archaeologist and miner. Both pare back layers of overburden although time’s span obviously vary to reveal essential structures or objects; the earth’s structures like ancient ruins and relics like specific types of rock.

As a dry season visitor and member of a painting group my immediate sketches were produced on site in gorges, beside billabongs and outliers. Frottage technique of rubbing pencil over a surface covered with paper as well earth staining paper from wet rice or handmade paper was another way to bring back to my studio impressions from this place.